皮影戏大全集(皮影电视剧剧情介绍)

目录：

皮影戏大全集

皮影电视剧剧情介绍

中国皮影博物馆

牡丹亭英文版

皮影戏大全集

1、 我二十几岁，在碧流台中学教学时，就想把很好听的皮影曲牌记录下来。曾经拜访当地的皮影四胡**尹河，给他记过皮影唱腔音乐曲谱。可惜的是，我当时记谱能力还不行，没能把尹**的皮影曲牌整理出来。现在想起来还后悔，当时为什么不用录音机把尹**的皮影四胡曲牌录下来呢？

2、 给皮影唱腔音乐记谱，可不是一件容易的事。皮影音乐属于板腔体戏曲音乐，音乐结构比较复杂，不像给歌曲记谱那样简单。常用节拍有2/4和4/4拍，有时也用1/4拍；音符除了常用的外，有时会用到三十二分音符；节奏特点更鲜明，很不好掌握。

3、 后来，我经常打车，到乡下唱影的地方认真听皮影戏，到影台子里仔细看艺人打板伴奏，还亲自用三弦或二胡帮场伴奏，感知领悟皮影音乐的基本节奏和鲜明特点。通过大量演出实践，逐渐掌握了皮影唱腔音乐的记谱方法，写出了符合皮影唱腔音乐特点的简谱。

4、 我用了半年时间，才戴着指套把音拉准。先用宽指套练习，后换窄指套练习，经过反复练习后才把握准戴指套拉四胡的力度，拉出了清脆明亮的皮影音乐声音。皮影四胡音乐的主要技巧揉弦、颤指、泛音、滑音更难学，必须脱离了二胡的演奏方法，练就皮影四胡真功夫，形成独特的皮影四胡音乐风格。

皮影电视剧剧情介绍

1、看到了赵贵水他们也在场，巡逻到此的高天柱感觉到有什么不对，赶紧带晏团长**离开。等高天柱再次回来时龙门饭店大厅已经空无一人，刚一进门就被赵贵水等围住，这时他才知道敌人准备开始实施春蚕计划了。高队长只身一人根本敌不过他们，被他们打晕扔到了地下室。李航同志知道阿宏原本早就知道这些**的存在而没有上报后，拒绝让陈宏继续参加追查**去向的工作。

2、剧团里谭言俊还在写曲谱，晏团长开始怀疑谭言俊的真实身份了，于是拿着他写的曲谱找到了阿宏和李红明，经过他们的认真推测，终于明白了他们在用曲谱传递信息的手段，于是准备将计就计，准备让**本自己浮出水面。

中国皮影博物馆

1、2019年是海宁市皮影戏录音录像工程十周年，回首十年，在老带新的模式下，海宁皮影戏传统剧目和曲牌的抢救工作取得一定成果。精选这些成果汇编成册，既是对海宁皮影戏十年抢救保护工作的回顾和总结，也是给海宁皮影戏传承工作的后来人留下宝贵的资料。本书收录范围包括：海宁皮影戏代表剧目文字剧本；海宁皮影戏经典唱腔、曲牌及音乐；海宁皮影戏精选剧目影像资料。内容上，注重文字剧本的挑选，精选具有海宁传统皮影戏特色的剧目进行汇总，对内容稍有所缺失的曲谱曲牌，在不改变原貌的基础上进行整理复原。

2、本套丛书一函三册，分为《海宁皮影戏·剧本卷（上）》《海宁皮影戏·剧本卷（下）》《海宁皮影戏·曲谱卷》，四色印刷。其中剧本卷收录具有代表性的皮影戏剧本45部，包括正本戏11部，开台戏34部；曲谱卷收录皮影戏曲谱180首，包括正本戏68首，开台戏34首，杂腔小调17首，专用曲牌35首，锣鼓26首。全书保留海宁方言特色，活泼俏皮，妙趣横生。

牡丹亭英文版

1、皮影戏，是中国民间古老的传统艺术。据史**载，皮影戏始于战国，兴于汉朝，盛于宋代。可谓历史悠久，源远流长。而如今，在中国东北地区“皮影戏”算是相当稀有的一个戏种了。Shadow play is an ancient traditional art of Chinese folk.According to historical records, shadow puppets began in the Warring States Period, in the Han Dynasty and in the Song Dynasty.It has a long history and a long history.Today, "shadow play" is a very rare play in northeast China.家住吉林省舒兰市四合村的王升老人是吉林省非物质文化遗产——舒兰皮影的传承人。Wang Sheng, who lives in Sihe Village, Shulan City, Jilin Province, is the inheritor of —— Shulan shadow puppets, an intangible cultural heritage of Jilin Province.王升出生在一个皮影世家，老家在榆树，他的父亲和叔父有个皮影班。从小耳濡目染，深受父亲的影响。每到闲暇时候，王升就缠着父亲教他，逐一演习生、旦、净、末、丑各个行当的唱法，用简谱形式记录传统的啷当韵。20岁初登台的王升就能独当一面，并跟随父亲和叔父一起四处唱皮影戏。王升一般唱旦角，男扮**。而父亲唱主角，大人物，叔父唱小角色或孙子辈的。Wang Sheng was born in a f**ily of shadow puppets, and his hometown is Yushu. His father and uncle had a shadow puppets class.Since childhood, was deeply influenced by his father.In his spare time, Wang Sheng pestered his father to teach him, practiced the singing methods of students, Dan, clean, final and ugly, and recorded the traditional clang in the form of ****** spectrum.At the age of 20, Wang Sheng was able to act alone and sing shadow puppets everywhere with his father and uncle.Wang Sheng generally sings and dressed as a wo**n.And the father plays the leading role, big character, uncle plays s**ll roles or grandchildren.“舒兰皮影”的前身是东北驴皮影。东北皮影戏又称“此地影”“照条儿”，约有两百多年历史，分两大流派：一是东北本地皮影，是以唐山话为腔调的唐影。舒兰皮影，作为东北本地皮影戏的一个分支，有着鲜明的地域特色，唱腔高亢、粗犷、激越，早先东北二人转的曲牌、曲谱，有很多都借鉴了舒兰皮影戏的内容。在过去电影，电视等媒体尚未发达的年代，舒兰皮影戏曾是十分受欢迎的当地民间娱乐活动之一"Shulan Shadow Shadow" was formerly Northeast Donkey Shadow Shadow.Northeast shadow play, also k***n as "shadow here" and "note", has a history of more than 200 years and is divided into two schools: one is northeast local shadow play, which is a Tang shadow in Tangshan dialect.Shulan shadow play, as a branch of the local shadow play in Northeast China, has distinctive regional characteristics. Its singing is high, rough and exciting. The earlier cards and scores of Northeast Errenzhuan have borrowed from the content of Shulan shadow play.In the past, when movies, TV and other media were not yet developed, Shulan shadow play was one of the very popular local folk entertainment activities在舒兰，曾经流传有这样一段民谣“一套影，一块布，夜幕低垂，琴鼓悠悠，两手托起千秋将，灯影照亮万古人”足见皮影戏的巨大魅力。在乡村城镇，皮影戏班的演出档期非常密集，演出旺旺需要预约，每到一处，观众已是翘首以盼。In Shulan, there was once spread such a folk song "a set of shadows, a piece of cloth, the night falls, the drums are long, two hands hold up the future generations, the light shadow to illuminate the ancients" shows the huge charm of shadow play.In rural towns, the perfor**nce schedule of the shadow puppet class is very dense, the perfor**nce needs to **ke an appointment, every place, the au***nce is eagerly awaited.别看这皮影薄的像纸片一样，里面的学问可大着呢。皮影戏要用到的“影人子”是指影窗子上能活动的道具统称。制作影人子的皮质一般为驴皮，驴皮影的制作工艺复杂考究，需要经过选料、雕刻、上色、缝缀、涂漆等诸多工序才能完成，最后连接成型。 ? ?Although this shadow play is thin like a piece of *****, the k***ledge inside can be big.The "shadow shadow" refers to the props in the shadow window.The skin of the shadow is generally donkey skin. The production process of donkey shadow puppets is complex and exquisite. It needs to go through **terial selection, carving, coloring, stitching, paint and **ny other processes to finish, and finally connected and formed.在皮影演出中有一样道具必不可少，就是幕布。艺人们形象地称之为“影窗子”，影窗子是用一块1平方米大小的白纱布崩在木框上做成的，制作一个影窗子白纱布要经过鱼油打磨，经过裁剪、毛边、对口、粘贴、平整五道工序，演出时皮影紧贴幕布活动，在灯光下把皮制虚线图案的影子反映在布帐上，由表演者操纵影人，配以唱白完成一出戏剧的表演。There is an indispensable prop in the shadow puppet perfor**nce, which is the curtain.Artists vividly called "shadow window", shadow window is with a piece of 1 square meter size of white gauze collapse on the wooden fr**e, **ke a shadow window white gauze through fish oil polish, after cutting, wool, counterpart, paste, smooth five processes, perfor**nce shadow close to the curtain activity, under the light leather dotted pattern shadow reflected in the tent, by the performer **nipulated the shadow, with singing white to complete a dr**atic perfor**nce. ? 将影人子身、首分装的结构是皮影艺人的奇思妙想，一个身子配多个人物。这不仅在演出时能够做到灵活机动，还节省了制作成本，将存放空间和负重化繁为简。民间神话、《三侠五义》故事里的各种腾云驾雾，变幻莫测的高难动作，是其他戏曲曲种难以做到的。 ? ? The structure of the shadow shadow body and the first assembly is the whim of the shadow puppet artist, one body with multiple characters.This can not only be flexible in the perfor**nce, but also saves production costs, reducing storage space and load loading.Folk mythology, the stories of the Three Heroes, and the unpredictable and difficult movements are difficult for other opera songs to achieve.王升老人就是一名影匠，也称为拿活儿的人。根据王升老人的介绍，一般情况下唱皮影戏四个人就够了，多的时候为六个人。是打活，由两个人负责，主要就是吹打弹拉，在演出时撂下鼓就打锣，放下胡琴就得***。其次是拿活，指的是拿影人子的人，分为上线和下线，操纵影人子的动作，来表现剧情。有时拿活的人要一个人控制三四个影人的动作，还要密切配合场上的配乐，兼顾旁白、唱腔。由此可见，皮影表演除了过硬的基本功，艺人之间的配合也是至关重要的。Wang Sheng is a shadow **ker, also k***n as the person who takes the work.According to Wang Sheng, it is usually enough to sing shadow puppets, and more often for six people.The first is to work, by two people responsible for, **inly is to play and pull, in the perfor**nce on the drum gong, put down Hu qin have to blow the horn.The second is to live, refers to the person who takes the shadow, divided into online and offline, **nipulate the action of the actor, to show the plot.Sometimes the living person has to control the movements of three or four film**kers alone, but also to closely cooperate with the soundtrack on the field, taking into account the narration and singing.It can be seen that in addition to the excellent basic skills, the cooperation between artists is also crucial.在皮影戏盛行的地区，人们会亲切地称皮影戏为“一担挑”艺术。无论是在剧场，还是在庭院、普通室内，只要架起幕布和灯箱就能开戏，场下老的、小的聚在一起，坐着的、站着的、蹲着的都聚精会神的观看。In areas where shadow play is popular, people will affectionately call shadow play "one load pick" art.Whether in the theater, or in the courtyard, the ordinary room, as long as the curtain and light box can open the play, the old, s**ll get together, sitting, standing, squatting are focused on watching.随着娱乐项目的增多，看皮影戏的人越来越少了，直到上世纪80年代，只有少数的农家还在请皮影戏艺人去演出，这种演出叫“愿影”，是为给家里添些喜气。而如今再次提起皮影戏，已经很少有人知道并熟悉，只有上了岁数的老人还能哼出几句。皮影戏没有市场了，也就不能养家糊口，再加上现在一些流行元素更加吸引年轻人，所以驴皮影戏年轻人早已不会唱甚至忘却，就更不用说传承了。 ? ?With the increase of entertainment, fewer and fewer people watched shadow puppets. Until the 1980s, only a few farmers still invited shadow puppets to perform, called "ying", to add some happiness to the f**ily.Now mention shadow play again, few people k*** and f**iliar with, only the elderly can hum a few words.There is no **rket for shadow puppets, so they cannot support their f**ilies. Plus, some popular elements are more attractive to young people, so young people of donkey shadow puppets will not sing or even forget, let alone inheritance.作为吉林省非物质文化遗产舒兰皮影的传承人，王升从自20岁第一次登台表演开始长达近70年的艺术传承之路已被终结，一直伴随在身边的影箱子也沉寂在吉林市“非遗“保护中心。在老人的动情讲述中我们不难看出老艺人对皮影艺术眷恋，而这种古老的传统技艺留给我们的只有点滴的回忆。 ? ?As the inheritor of Shulan shadow puppets, the intangible cultural heritage of Jilin Province, Wang Sheng's artistic inheritance for nearly 70 years since the first stage perfor**nce at the age of 20 has been ended. The shadow box around him has been silent in the "Intangible Cultural Heritage Protection Center" of Jilin City.In the emotional story of the old **n, it is not difficult to see that the old artists are attached to shadow puppets, and this ancient traditional art leaves us only a little bit of memories.舒兰皮影是流传于东北吉林舒兰市一带民间的一种以“影人子”表演的娱乐演唱形式。在东北文化长廊中有着漫长的形成史和发展史。Shulan shadow puppets is a kind of entertainment singing form with "shadow shadow" spread in Shulan City, Jilin Province, Northeast China.It is a long history of for**tion and development history in the northeast cultural corridor.舒兰皮影供奉圣宗佛，相传，佛为了传经，通过皮影的形式来传播，经书上的话干燥无味，信徒不容易接受。佛家**就把经书上的话编成有趣的故事，用兽皮刻修好，在影窗子上通过灯光的影射，使故事中的人物形象化，便于善男信女接受，在娱乐中接受经书的内容。开始形成时叫影经。影经在唐朝唐肃宗时候（756-761）传到渤海国洓州，也就是现在的吉林省舒兰市，受到了百姓的喜爱。其演出活动分为唱庙会，唱山沟，唱屯场，即走村串屯演唱。几百年来，其踪迹遍布东北大地。Shulan shadow puppets are dedicated to the Holy Zong Buddha. According to legend, the Buddha is spread in the form of shadow puppets for passing on the scriptures. The words on the scriptures are dry and tasteless, and it is not easy for believers to accept.The disciples of the Buddha compiled the scriptures into interesting stories, fixed them with ani**l skin, and shot the light through the light on the shadow window to i**ge the characters in the story, convenient for good men and women to accept the content of the scriptures in entertainment.It begins to when when the to form.When Suzong of the Tang Dynasty (756-761), the Sutra spread to Bohai Prefecture, *** Shulan City, Jilin Province, and was loved by the people.Its perfor**nce activities are divided into singing temple fair, singing mountain valley, singing tun farm, that is, go to the village tun singing.For hundreds of years, its traces have spread throughout the northeast.影人子是皮影的艺术核心，多为驴皮刻制，不论是人物，还是兵器、野兽、车船等，统称为影人子。刻成的影人子，演出时一拽连线，表现人物的坐卧、走路、打斗、翻跟头、逃跑等，表演自如。一般由4人演唱。分为打活、拿活。唱的剧目分两种：一种是按照写出来的剧本唱，叫影卷，另一种是现抓事随机演唱，更易被观众接受。Shadow **n is the artistic core of shadow puppets, mostly carved by donkey skins, whether it is characters, weapons, beasts, cars and boats, etc., collectively referred to as shadow shadow.Enched shadow son, the perfor**nce of a drag connection, show the character of the sitting and lying, walking, fighting, somersault, escape, etc., perfor**nce freely.Generally sung by 4 people.Divided into playing live, taking live.There are two plays divided into two kinds: one is to sing according to the script written, called the film volume, and the other is to sing at random, which is more easily accepted by the au***nce.演唱皮影分为打活和拿活。打活影匠二人，精于吹、打、弹、拉，珠联璧合；拿活影匠分上线和下线，配合准确，影像栩栩如生。剧目分两种，一种是剧本卷，另一种即兴演唱，活灵活现，更有亲切感。Singing shadow puppets is divided into fighting and living.Live **ker two people, fine in blowing, play, play, pull, perfect combination; take the live **ker online and offline, with accurate, lifelike i**ge.There are plays into two kinds, one is the script volume, the other impromptu singing, vivid, more inti**te.舒兰皮影具有戏曲艺术的共性，又有区别于戏曲的差异。戏曲是演员在舞台上表演，而皮影是影窗上的影人子表演。戏曲是演员在舞台上说、唱、念、作、打，而皮影儿说、唱、念由影窗子后的影匠来完成。作、打则由负责拿活的影匠，操纵影人子在影窗上完成。戏曲的演员，从出场到剧终演的是固定的一个人物，皮影儿的影人子，从出场到剧终演的却不是一个固定的人物。影卷子上的唱词，对观众投其所好，也可添着唱，扔着唱，有一定的随意性、灵活性。并且皮影儿没有戏曲的布景、服装道具，只有上百个影人子和简单的几件乐器装在箱子里，非常简便。Shulan shadow puppets have the common characteristics of opera art, and there are different differences from opera.Opera is the actors on stage, and shadow puppets are the shadow actors on the shadow window.Opera is the actor to say, sing, read, do, play on the stage, and shadow puppets say, sing, read by the shadow **ker after the window to complete.Make, beat by the responsible for the shadow **ker, **nipulate the shadow son on the shadow window.The actors of opera, from the appearance to the end of the play is a fixed character, shadow shadow, from the appearance to the end of the play is not a fixed character.The lyrics on the film volume, to the au***nce to cast its good, can also add singing, throw to sing, have a certain arbitrariness, flexibility.And shadow puppets have no opera sets, costumes and props, and only hundreds of film**kers and several ****** instruments in boxes, which is very ******.舒兰皮影的影卷全部是流传于民间的各种故事，具有很高的史料价值、研究价值和欣赏价值，通过有趣的历史故事，歌颂***，鞭挞假丑恶，使人们在欣赏艺术的同时，感受到了历史的脉络，受到美德教育。The shadow volumes of Shulan shadow puppets are all various stories spread to the folk, with high historical value, research value and appreciation value. Through interesting historical stories, they praise the truth, goodness and beauty and criticize the false and ugliness, which **ke people feel the historical context and be educated by virtue.舒兰皮影的曲调均是传统的、优秀的民间乐曲，是对音乐的一大贡献。现在东北二人转和评剧等剧目均借用了皮影的影调。在没有电影、电视的年代，舒兰皮影儿是东北民间群众主要文化娱乐活动。The tunes of Shulan shadow puppets are all traditional and excellent folk music, which is a great contribution to the music.Now the northeast errenzhuan and pingju plays have borrowed the tone of shadow puppets.In the era of no film and television, Shulan shadow puppets were the **in cultural and entertainment activity of the folk people in Northeast China.然而，随着现代化进程的加快，文化的不断发展，新文化形式取代了旧文化形式这种历史性的变化，使舒兰皮影这种过去曾受过群众欢迎的艺术形式黯然失色，并且后继乏人。因此，舒兰皮影这项珍贵的非物质文化遗产项目急需人们的重视与保护。

2、However, with the acceleration of modernization and the continuous development of culture, the new culture form replaced the historic change of the old culture form, which overshadowed Shulan shadow puppets, an art form that had been popular in the past, and was unsucceeded.Therefore, Shulan shadow puppets, a precious intangible cultural heritage project, is in urgent need of people's attention and protection.